• Ordinary Days
  • In Ordinary Days, we follow the playwright Lucie who, after a three-year absence, is returning to her grandparents’ home in the Gelderland countryside because her grandpa is dying. She grew up on the farm with her grandpa and grandma. Lucie is working on a play about the so-called Oklahoma City bomber and therefore is reading his biography. Throughout the novel links are made or suggested between the experiences of Timothy McVeigh and the situation in which Lucie finds herself with her grandparents. Normale dagen is not really a ‘document humain’ about a grandparent’s dying; it is not trying to evoke emotional identification in the reader. Gerritsen writes on a more philosophical level about distance and commitment, about loyalty and betrayal. Lucie had more or less run away from her grandparents, and in order to elicit a reaction from them she never gave them a sign of life. This created an even greater irritation for her: there was no reaction. When after several years Lucie sets foot in her grandparents’ house once again, she again bumps her toe against the bucket that always stood in the courtyard, her grandma continues looking at television, and she is simply welcomed with the words ‘have you eaten yet?’

    Normale dagen is a novel that gets a hold over you. Just like the principal character, you can as reader not do anything but capitulate and pay attention to the drama. For it is a drama, in all its stillness, silence, and coarseness.

  • The wonder of this extraordinary novel is that the apparently absent drama becomes perceptible because the principal character decides not to interpret it or ferret it out, but to let it exist without effect, untouched.

  • De Volkskrant
  • Publisher:
    De Geus
  • Year:
    2005
  • Genre:
    novel
  • Awards: 

    BNG Bank Literature Award

  • Slovenian: Običajni dnevi, Nova Gorica Educa, 2008

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